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Spruth Magers

We Went to Frieze, Part Two: Pussy Hat Show Flops, Anti-War Hard On Holds Up

by Paddy Johnson and Michael Anthony Farley on May 5, 2017
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Yesterday we discussed the overall look and feel of Frieze and concluded that this iteration of the fair is far superior to previous years. Lots of lively inventive work and short on the kind of soulless work in a frame that can make these events so tedious. Today we take a deep dive into a lot of the art we saw. Let’s get down to the nitty gritty.

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Four Gems from Berlin’s Sprawling Gallery Weekend

by Matthew Leifheit on May 7, 2013
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From the number of Berliners in galleries last weekend, you would think they were handing out free bratwurst.
Instead, they’d come for art, which fills every crevasse and hole in the city during Berlin Gallery Weekend. It’s similar to Gallery Week in New York, in that it brings big-name artists in for shows at major galleries and institutions. But thanks to cheap rents, you’ll just as often stumble across a show in a back alley, an empty shipping container, or somebody’s apartment. Here are the four shows that, more than the rest, had a little more soul.

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Why the Independent Art Fair Works

by Whitney Kimball on March 9, 2012
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The Independent Art Fair's great gift: eye contact. With vast ceilings, large windows, and no cubicle-style booths, people aren’t constantly scanning the room behind you to locate James Franco. This means no angry smiles, no high-speed nodding, and no cracked-out active listening. The tone is friendlier. Admission is free, and light is ample. Much of the work is genuinely interesting. Open space literally translates an air of transparency; though this is still no place for an art experience, it feels closer to an exhibition than a department store.

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