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Paul Outlaw

This Week’s Must-See Art Events: Have Your Cake & Smash It Too

by Michael Anthony Farley on February 6, 2017
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Welcome to the new normal. We at AFC have noticed a decline in artistic output from Brooklyn’s DIY scene as of late, while commercial galleries and institutions in Manhattan (and a few in Queens) have been gearing-up for battle mode with politically-charged programming. We’re hoping this is because everyone in Brooklyn is too busy thinking about resistance, and not because they’ve fled the country.

Tuesday night, The New School is hosting a talk about female bodies online, and Wednesday, the New Museum is opening a massive Raymond Pettibon show. After checking it out, head down the block to ICP, where curators will be discussing the loaded Perpetual Revolution: The Image and Social Change. More talks will come Thursday, such as the Brooklyn Museum’s call to defend immigrants and the Flux Factory/ABC No Rio potluck/opening/discussion about artists’ mutual aid in times like these. Friday night, take a break from political angst to get lost in the dreamy paintings of Jordan Kasey at Nicelle Beauchene, or the likely dreamier office set E.S.P. TV has staged at Pioneer Works. The weekend brings more great art and opportunities for creative resistance: be sure to check out the Queens Museum’s event to build climate change resistance coalitions between artists and activists.

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This Week’s Must-See Art Events: F.A.G.’s Strange Genitals & More

by Paddy Johnson and Michael Anthony Farley on October 31, 2016
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If ever there was a week for art nerds, this is it. It begins Tuesday with a screening of artist made music-videos Otion Front Studio and a show of meticulously assembled abstract paper works by Jessica Dickinson and Alison Knowles at James Fuentes. Paper nerds and music nerds unite. By Friday, gallery goers will be heading to Transfer Gallery to witness a room full of projectors showcasing a playlist of works by a dozen or more new media artists.  New Media nerds rejoice.

In between all this nerdery, there are also quite a few exhibitions promising a good time, not the least of which being our very own Strange Genitals, which opens this Thursday at AICAD. Following this, is the always provocative Marilyn Minter at the Brooklyn Museum come Friday and Jennifer Catron and Paul Outlaw’s performance looking at how the relationship between gravity and politics leads to the break-down of thought. Catron and Outlaw promise an “assembly of libations” after their performance, so don’t make any plans for Sunday.

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No Justice: An Interview with Jennifer Catron and Paul Outlaw

by Irena Jurek on April 15, 2016
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Anyone who’s seen Jennifer Catron and Paul Outlaw’s work, has zero chance of forgetting it. In the past, their work has involved placing a dinner table and its diners on a hydraulic lift, live chickens, pig fountains, a crawfish food truck, a tour Chelsea tour bus that sold editioned knock offs of famous artworks, and a gallery-sized art-world themed Monopoly game board activated by actual players. That’s not even half of the work they’ve produced.

The point of all this, is to poke fun at contemporary American culture and question the belief systems that inform it. Their current show at Postmasters, “Behold! I teach you the Overman!”, uses their trademark high-energy approach to art making to great effect. It engulfs viewers in installation, video, painting, and performance that simultaneously criticize and celebrate the role of decadence in life and art. It includes a chair that lifts you upward into a ceiling mounted video viewing cube. Inside, a parade of morally ambiguous leaders and characters engage in heavenly glee while consuming mounds of food. In the middle of the gallery, a freestanding grove of trees cover an artificial pond with a functioning boat ride. The forest’s canopy consists of a multi-media video piece starring Catron and Outlaw. In it, an intergalactic sunbathing chair propels an orange-tanned woman towards the intense light of an overpowering tanning bed, alluding to either a nuclear doomsday, or spacial bliss.  

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A Golden Pig Fountain and Fresh-Picked Silver Fruit: Your AFCRPAAaA* Dinner

by Will Brand on February 21, 2012
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As Napoleon said, an army marches on its stomach. So how are we planning to keep our brigades moving this Thursday, at the Art Fag City Rob Pruitt Awards and Auction*? With an aerial pig fountain and a tree of golden meat. It’s the latest performance from Jen Catron and Paul Outlaw, and it has us psyched.

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Report from NADA Hudson: The Historic Venue Phish Show of Art Fairs

by David Harper on August 2, 2011
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Artists, dealers, hipsters, and collectors thronged upstate this weekend for the NADA Hudson, deemed the “Phish show of art fairs.” 51 participants, from far and wide, aimed to showcase projects that responded to the historic venue. Overall, it was a cohesive and buoyant success.

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Jennifer Catron and Paul Outlaw Present Imeday Imeday Ollarday Icklenay

by Will Brand on January 4, 2011
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Jennifer Catron and Paul Outlaw Present Imeday Imeday Ollarday Icklenay Date: FRIDAY, DECEMBER 10TH 2010 – SATURDAY, JANUARY 22ND 2011 Venue: Allegra LaViola Gallery, 179 East Broadway Catron and Outlaw’s prints, clever not-quite-restagings of art-historical canon, are supplemented by weekly dinner parties billed as “feasts for the apocalypse” in a “banquet hall of epic proportions”. Tickets to eat cost $100 […]

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Abstract Art and Fish Frying: Two Unrelated Events in One Post

by Liza Eliano on August 6, 2010
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Fridays are no excuse to miss your daily helping of events and we’ve got a two for one serving this week. AFC buddy Hrag Vartanian curates “On Display” at Storefront Gallery in Bushwick, and artist duo Jen n’ Outlaw go all American with their fish fry/art performance food truck.

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