by Corinna Kirsch on November 21, 2012
In the 1960s and early 1970s, art and politics were peas in a pod. For die-hard critics like Barbara Rose, who lived through these decades in New York, that was the time to be alive. Art was good then, and now it sucks. Well, that’s how her argument goes, which which she makes in the pages of this month’s Brooklyn Rail. We disagree.
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by Whitney Kimball on December 16, 2011
In an effort to cover more art before shows close, AFC decided to visit a handful of galleries and report what we saw. More than usual, I wanted to stay longer. Here are my notes from five shows at Mitchell-Innes & Nash, Mixed Greens, Paula Cooper, and Tanya Bonakdar.
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