Posts tagged as:

marcin Ramocki

Open Calls: Art Cakes, Art Barter

by Corinna Kirsch on March 26, 2014
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Some different ways to do art.

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The Little DiVA That Couldn’t

by Paddy Johnson on December 24, 2013
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The best videos in Miami’s art fairs were from New York — but where were all the buyers?

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Okay, So Who’s Gonna Run Rhizome?

by Will Brand on May 7, 2012
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C’mon, who’s it gonna be? Rhizome has posted a job listing to replace Lauren Cornell as Executive Director, but nobody seems to have any idea who could replace her. The applicant would need to be familiar with net art and new media, have curatorial and/or grant-writing experience, and have the ability to bring in cash money from donors and collectors. Who fits that profile? We have no idea.

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There’s Still Shit Left To Do In December

by Whitney Kimball on December 8, 2011
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Don’t worry, we’ll be gentle. After this year’s auction protests, art fairs, and museum freakshows, it’s high time we sit our asses down to some video games. Here are a few art events that require little to no effort (in a good way) this month.

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Panel Discussion Recap: Issues of Digital Media Art at the Woodstock Digital Media Festival

by Paddy Johnson on June 22, 2011
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What is new media? Most of the time I don’t want to spend any more energy than I have to thinking about the question; it has a “what is art?” flavor I don’t care for. There are exceptions to this, though, and last weekend proved to be one of them.

Tackled during the “Issues of Digital Media Art” session at The Woodstock Digital Media Festival Saturday morning, panel moderator and artist Joe McKay began by asking why we always have to ask what new media is. Beyond providing a basic distinction between digital art (a digital print or sculpture — object based work) and New Media (work that is created, stored and distributed with digital technologies),  the panelists addressed how the medium is defined in universities, by curators, and by artists (who often opt not to bother with the issue at all). Members also addressed the pull of technology to artists, a topic of conversation that led to Magda Sawon’s assertion that “we’re at this stage where the democratization of access to technology brings in a very different layer of artists who still could be called media artists, but for them it’s a natural tool.” For this new strata of artists, “It’s not a learned tool and discovered tool, it’s the available tool.”

Sawon was part of a panel consisting of herself and Tamas Banovich, owners of Postmasters art, Christiane Paul, curator of New Media at the Whitney Museum of American Art, and artists Marcin Ramocki and Mary Flanagan.

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Woodstock Digital Media Festival Launches This Weekend: An Interview with Organizers Marcin Ramocki and Joe McKay

by Paddy Johnson on June 14, 2011
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This weekend tech art nerds will flood Woodstock for the first Digital Media Festival of its kind. Themed, “Out of Place” — a nod to the unlikely union of local landscape and tech– some of the country’s top art professionals converge to discuss and exhibit an array of new media projects specific to the festival. I’m talking, Christiane Paul, the Director of the Media Studies Graduate Programs and Associate Professor of Media Studies at The New School, NY, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art, Magdalena Sawon and Tamas Banovich, owners of the well-known Chelsea Gallery, Postmasters, and Jeremiah Johnson/Nullsleep to name just a few. Also the artist collective eTeam and VTDigger.org journalist Anne Galloway. I talked with two of the project’s organizers, Marcin Ramock and Joe McKay about the festival this week in the hopes of giving readers and travelers a better idea of what’s in store. (Those interested in attending can purchase their tickets online.) The interview after the jump.
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Survival in New York: An Interview with Marcin Ramocki

by Paddy Johnson on November 1, 2010
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The fourth interview in a series of posts examining what it means to survive in New York. Today I speak with artist Marcin Ramocki. Other interviews in this series include curator and Prospect Non-Profit Director Dan Cameron Shelly Bancroft and Peter Nesbett of Triple Candie, a non-profit gallery located in Harlem, and artist William Powhida. A full piece reflecting on these interviews is available in this month's issue of Map Magazine.

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[IMG MGMT] What Relational Aesthetics Can Learn From 4Chan

by Brad Troemel on September 9, 2010
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Is it still necessary to define art by intent and context? The gallery world would have us believe this to be the case, but the internet tells a more mutable story. Contrary to the long held belief that art needs intent and context, I suggest that if we look outside of galleries, we'll find the actions, events and people that create contemporary art with or without the art world's label.

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