by Paddy Johnson and Michael Anthony Farley on May 5, 2017
Yesterday we discussed the overall look and feel of Frieze and concluded that this iteration of the fair is far superior to previous years. Lots of lively inventive work and short on the kind of soulless work in a frame that can make these events so tedious. Today we take a deep dive into a lot of the art we saw. Let’s get down to the nitty gritty.
Read the full article →
by Paddy Johnson on October 7, 2015
The number of artists who make art from found imagery and objects is now too many to count. Tumblrs and blogs are full of it and so too are the annals of art history. From Surf Clubs and The Jogging to Haim Steinbach, Robert Rauschenberg and Llyn Foulkes there’s a near bottomless reservoir of work that was made in one world and plunked into a fine art context.
I thought about this as I walked around the New Museum, mostly in awe of Jim Shaw’s three floor survey exhibition The End is Here. It’s basically two stories of art stuff produced and assembled from 1973 on—paintings, and drawings on the second floor; other people’s paintings, drawings, pamphlets, t-shirts and religious banners on the third floor. The museum reserved the fourth for Shaw’s massive cut-out theatre sets and sculptures.
Read the full article →
