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Lauren Cornell

Two Sevenths of Seven on Seven

by Anthony Espino on April 23, 2012
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“Artists are the ones who are here to… explain what the technologists are doing, or at least contextualize, and make this [work] make sense,” exclaimed public intellectual and technology writer Douglas Rushkoff in his opening keynote on Saturday at Rhizome's Seven on Seven. Now in its third year, the art and technology conference pairs seven artists with seven technologists. They're given 24 hours to collaborate, and a lot of hyperbole to live up to.

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Enough With Dude-Centric Net Art Shows

by Paddy Johnson on April 17, 2012
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I’m getting tired of seeing listings for dude-dominated digital art shows. Just to count what I’ve seen in the last month: The USB Show, at Paris’s Le Point Éphémère two weeks ago, invited one woman artist to participate out of 21; Astral Projection Abduction Fantasy, which ran from February 23rd to March 23rd in Dublin, included three women out of 29 artists; and the April 12th BYOB show, in Milan, only included 9 women out of 42 invited artists. These shows might as well be Lilith Fair, though, relative to the worst recent offender, Dotcom, a show organized by the anonymous collective BSNP at the Centre d’Art Bastille in France. That group show runs through June 10th and includes no women at all.

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Survival In New York: An Interview With Lauren Cornell

by Paddy Johnson on November 4, 2010
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The fifth interview in a series of posts examining what it means to survive in New York. I spoke with Executive Director of Rhizome and Adjunct Curator at The New Museum Lauren Cornell over the telephone on this subject. Her show Free, is currently on view at The New Museum. Other interviews in this series include those with artist Marcin Ramocki, curator and Prospect Non-Profit Director Dan Cameron Shelly Bancroft and Peter Nesbett of Triple Candie, a non-profit gallery located in Harlem, and artist William Powhida. A full piece reflecting on these interviews is available in this month's issue of Map Magazine.

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