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Hrag Vartanian

Gallerist Takes a Look At Instagram, Finds the Art World

by Paddy Johnson and Whitney Kimball on May 1, 2013
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You’d think a post about Instagram would lead one beyond a handful of top art advisers. For Gallerist, this is not the case. Gallerist believes “the art world” has an Instagram obsession and seeks to prove this point by investigating whether deals occur thanks to the service. The whole feature hinges on dealer Dick Richter’s Dick Richter Gallery, an art gallery that sells secondary market art on an iphone, and collector and advisor Nino Mier, who has commented on Richter’s Instagram page.

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Do Handjobs And Twitter Go Hand-in-Hand?

by Paddy Johnson on July 12, 2011
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Does the cheer leading required to build social networking communities encourage fan culture and pose a problem to online critics? Flame wars aren’t particularly good for community building, but neither is fawning over substandard art.

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Missing the Point About #Don’t Follow Twitter Art

by Paddy Johnson on July 9, 2011
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Hyperallergic’s Hrag Vartanian thinks my L Magazine column on Twitter Art is off the mark. As Vartanian tells it, the term itself indicts the author. It’s a cheap ploy for headlines that fails to accurately describe these artist’s practice. Also: Why oh why, did Johnson write a column about bad twitter art and then fail to discuss the most significant artists! I’m exaggerating here for effect – Hrag wasn’t nearly so dramatic — but you get the point. Vartanian believes the examples I chose weaken an already thin case against twitter art (Joy Garnett’s #lostlibrary, An Xiao’s The Artist is Kind of Present, and Man Bartlett’s #24hPort).

Vartanian’s probably right that I could have come up with a better term than “Twitter art”, though the idea that this was a traffic friendly hook used to bring together work with no real commonality is a little far fetched. The truth of the matter is, I don’t believe the pieces have anything to do with one another past their engagement with Twitter. I never made any claims that they did, though I doubt Vartanian would have interpreted much of the article as he did had I more clearly expressed why I chose each artist.

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Three Months of Mail Art for Hyperallergic HQ: An Interview With Co-Curator Hrag Vartanian

by Paddy Johnson on June 16, 2011
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Tomorrow marks the dawn of a new era in mail art: Presents, Three Months of Mail Art for Hyperallergic HQ an opening that promises booze AND epic results! At least those are my predictions. As many readers will have already caught wind of around the web, Hyperallergic has been collecting mail art for three months. Come tomorrow, the days of tantalizing their readers with posts of their mail art gifts online will close: The mail art show opens!

Selected from over 100 submissions, the show includes artists such as Bo Bartlett, J.D. HastingsTim McCoolAustin Thomas, Audra Wolowiec, and many more (a full list of the participating artists can be found at the bottom of this post).  Storefront’s Kate Wadkins and Hyperallergic‘s founding editor Hrag Vartanian are responsible for the curation of the show. Yesterday, I drilled Vartanian on the connections of this show with the blog Post Secret. That didn’t go very well, but I got an interview out of it regardless.

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