by Whitney Kimball on March 9, 2012
The Independent Art Fair's great gift: eye contact. With vast ceilings, large windows, and no cubicle-style booths, people aren’t constantly scanning the room behind you to locate James Franco. This means no angry smiles, no high-speed nodding, and no cracked-out active listening. The tone is friendlier. Admission is free, and light is ample. Much of the work is genuinely interesting. Open space literally translates an air of transparency; though this is still no place for an art experience, it feels closer to an exhibition than a department store.
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by Paddy Johnson on July 5, 2011
Gavin Brown seems to attract compelling narratives. Last fall, no one could shut up about Rob Pruitt’s come back. This summer, we’re all talking about the gallery’s Peter Nadin show (on view through July 30), another artist with a come back story for the ages. As the story goes, Nadin ran a gallery with Christopher D'Arcangelo in the 80′s until disputes over management dissolved the partnership. Following this, the artist suffered a nervous breakdown which according to the Times, “caused Nadin to begin seeing the world in a fundamentally different way.”
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