Posts tagged as:

Gagosian

Bigger Than Koons: A Review of Chelsea’s Double-Feature

by Whitney Kimball on June 7, 2013
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We may know all we’d ever need to know about Jeff Koons at this point. That’s because he’s great at art.

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Frieze New York: Either Way, We’re Drinking Champagne

by Corinna Kirsch on May 10, 2013
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“Greetings from Captain John. There will be no swimming and no diving.” Sailing on the Frieze ferry to Randall’s Island, the driver told us that we were on our way to vacation, but cautioned against letting loose with freewheeling abandon. Once we landed, that ethos seemed to be in effect at the fair itself: dealers and collectors were having fun, and the fair was certainly crowded, but nobody was breaking out champagne in the early afternoon over skyrocketing sales.

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Appeal Finds Fair Use In Richard Prince’s “Canal Zone” Series

by Corinna Kirsch and Whitney Kimball on April 25, 2013
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Postmodernism is having the best day ever. It’s been just over a year since a New York District court dealt a major blow to Richard Prince, finding his Canal Zone series guilty of violating the copyright in Panamanian landscape photographs and Rastafarian portraits by Patrick Cariou. Not only was Prince found guilty, but the court ordered all unsold Canal Zone artworks and catalogs sent to Cariou so that they could be destroyed, sold, or disposed of as he saw fit. Thankfully, today sees a win for art: the case’s defendants won an appeal with the United States Court of Appeals for the Second Circuit.

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The Armory Show: 1913 vs. 2013

by Paddy Johnson on February 28, 2013
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In honor of The Armory’s 100th anniversary, I do a short comparison of the Armory Fair, then and now. I won’t spoil the results, but it probably won’t come as any surprise that I think the current version of the fair could do better.

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We Went to Chelsea: Why Isn’t Every Show Hermaphroditic Squid?

by The AFC Staff on January 4, 2013
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The new year and the lingering effects of Hurricane Sandy mean that much of Chelsea won’t be open for another week or two. In the meantime, we’re seeing what we can. Here’s our report from 20th through 22nd Streets.

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Cheer Up, Larry!

by Corinna Kirsch on December 14, 2012
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Larry Gagosian has been having a bad day. We wrote him a letter to make him feel better.

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Highlights from Art Basel Miami Beach

by Paddy Johnson Corinna Kirsch and Will Brand on December 6, 2012
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Art Basel Miami Beach is not fun, but sometimes, through the fluorescent lighting, puzzle-piece layout, and brazen privilege, you see some art you like. This is not a typical sentiment at an art fair, populated as they are with the type of work only a catnipped cat would love. However, this year we—and a few others—noticed something a little fishy: for an art fair, the work was in surprisingly good taste.

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It’s Out! Another ArtReview Power 100 List

by Paddy Johnson and Corinna Kirsch on October 17, 2012
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Another ArtReview Power 100 List kicks off today, setting in motion the now annual tradition of quibbling over the top slots. This year, like every year, the list leaves room for shock, jest, and flak over who can muscle their way into the art world’s top ranks. It’s the type of list that leaves you scratching your head: What makes Kunsthalle Zürich’s Beatrix Ruf more powerful than MoMA’s Glenn Lowry? Is it possible to be young and powerful? Poor and powerful? We spoke with ArtReview Editor Mark Rappolt about this year’s list, and how its international jurors tend to reward those working on a global scale.

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