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Fred Sandback

This Week’s Must-See Art Events: Rejoice! Our Times Are Intolerable and Nasty Women Are Front-and-Center

by Michael Anthony Farley on January 9, 2017
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New York’s week is characterized by two dominant themes: revisiting art history, and women owning “nastiness”. Monday, NYU’s Grey Art Gallery is launching Inventing Downtown, an ambitious look at how artist-run spaces informed the city’s radical aesthetics decades ago. Tuesday, Kate Hush illuminates archetypal feminine deception and betrayal at Cooler Gallery. She’ll be joined by legions of Nasty Women starting Thursday, when the Knockdown Center kicks-off a four-day fundraiser for Planned Parenthood featuring art, dance parties, and more. Alden Projects has a timely survey of Jenny Holzer’s early poster work that opens Friday, and White Columns is opening it’s 11th Annual, Looking Back. That’s but a sampling of the art history-mining going on this week. Stay nasty, New York, and remember that you always have been.

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Black Is and Black Ain’t in Pace Gallery’s “Blackness in Abstraction”

by Emily Colucci on August 18, 2016
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“Black is and black ain’t.” Walking through Pace Gallery’s current exhibition Blackness in Abstraction, I began to think about that title line from Marlon Riggs’s final film—taken from the prologue of Ralph Ellison’s novel Invisible Man. Even more than the pervasive “Black is beautiful,” this curiously ambiguous phrase hints at the multitude of meanings, voices, and questions surrounding blackness in the exhibition.

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We Went To Chelsea, Vol. 2

by The AFC Staff on April 4, 2012
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This week, another installment of our radical idea of telling people whether the art we saw was any good. As always, it’s a mixed bag; this week we looked at shows by Virginia Overton, Fred Sandback, Stan Douglas, Moyra Davey, Vibha Galhotra, Hans-Peter Feldmann, Douglas Huebler, Dan Walsh, and Ugo Rondione.

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