Posts tagged as:

Erwin Wurm

The Venice Biennale, Viva Arte Viva: The Pavilions, Part One

by Paddy Johnson on May 11, 2017
Thumbnail image for The Venice Biennale, Viva Arte Viva: The Pavilions, Part One

Today we spent the majority of our time looking at the Pavilions and we’ll be spending much of tomorrow similarly. Overall, there seem to be fewer people visiting the pavilions and Biennale this year—as evidenced by shortened bathroom cues and the ability to get a cup of coffee in less than hour. It’s hard, though, to discern the reasons for this. It’s not like anyone knows in advance what the shows (or weather) will be like. Still, I wondered if the poor quality of this year’s biennale might have depressed some enough that they took the day off. And perhaps the Americans here are too worried about the President’s recent firing of FBI Chief James Comey to focus on art? I know it’s an issue for me as well as many others I’ve seen over the last two days.

As for the pavilions, it’s a mixed bag—some good, some bad, and some stinky. I mean that literally. At least three pavilions this year need stench warning signs for those with allergies.

I’ll be discussing a lot of the work in greater depth in a separate post. In the meantime, here’s a sampling of what we saw this afternoon.

Read the full article →

Frieze New York in Pictures

by Paddy Johnson and Michael Anthony Farley on May 4, 2016
Thumbnail image for Frieze New York in Pictures

Every fair has its share of highlights and Frieze is no different. A few images of the art, the people and, yes, the food, for your enjoyment.

Read the full article →

Art Basel Miami Beach 2011: Slideshow Edition

by Will Brand and Paddy Johnson on December 1, 2011
Thumbnail image for Art Basel Miami Beach 2011: Slideshow Edition

No awards this year (other than the inaugural Pervert Prize), but that doesn’t mean there weren’t some worthy contenders. What’s hot? Elmgreen and Dragset and Erwin Wurm were each in a half-dozen or more booths, and Anselm Reyle’s big foil-and-canvas pieces were a reliable eye-catcher for the European galleries.

Read the full article →