by Whitney Kimball on June 4, 2013
Any close read of Marina Abramovic’s work should make this pretty obvious, but it’s official: she’s building a station from which to mobilize.
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by Paddy Johnson on May 31, 2013
My theory on Sarah Sze’s installation at the United States Pavilion: The show is both a production-site and graveyard for the relics of an unnamed religion. Members of this cult worship reproduction technology and mass-produced items of any form.
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