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Bushwick Open Studios

Recommended Bushwick Open Studio: Max Razdow

by Paddy Johnson and Whitney Kimball on May 31, 2012
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Gatherings of expressionistic figures communing in mythical settings define Max Razdow’s paintings and drawings. While some of his pen and ink drawings verge on storybook as in the “Future Myths” series, others are weirder, and more open to interpretation. “Man Speaking (to computer),” is one such a example, as we have no idea how to interprete a barrel-chested figure shooting blue mist out of his mouth into a black triangle. In addition to having exhibited multiple times in Belgium and Brooklyn, Max Razdow shows with Freight + Volume.

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Recommended Bushwick Open Studio: Eli Ping

by Paddy Johnson and Anthony Espino on May 30, 2012
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Do a search for Eli Ping on the Bushwick Open Studio website and his name will come back nine times. He’s in a lot of shows. None of these results though, bring back his studio, which will also be open during the event. There, an assortment of Ping’s work will be on display, many evoking a seemingly enormous number of vaginas.

We consider Ping an artist to watch. His practice is precise and deliberate, and his exploration of draped fabric, materiality, and forceful creativity, pointed. Ping shows at Susan Inglett Gallery in New York.

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Recommended Bushwick Open Studio: Max Warsh

by Whitney Kimball on May 30, 2012
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Max Warsh’s collages are so fluidly integrated that the result seems to be a liquid, or a fine mesh. Architectural grids and gates are often woven with torn chunks of stone walls, or cut shapes are dispersed on paper like a floating puzzle. Warsh brings that sensibility to architectural photographs, as well; a brick staircase, or a cropped photo of a tree trunk next to a wall, are almost indistinguishable from collage.

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Recommended Bushwick Open Studio: Björn Meyer-Ebrecht

by Paddy Johnson and Whitney Kimball on May 30, 2012
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The sheer volume of architectural references in Bjorn Meyer-Ebrecht’s work borders on obsessive. He tapes together ink renderings of institutional structures, he collages stacked chairs as though building blocks, and he builds maquettes of buildings. Even his bookshelves look more like vertical floor plans than furniture.

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Recommended Bushwick Open Studio: Ginny Casey

by Paddy Johnson and Whitney Kimball on May 30, 2012
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There are customary systems for composing an image which become clear after a long day of trolling artists’ websites— central shapes, which fit comfortably inside the edges of the picture plane, and room for the eye to move back in space. Ginny Casey’s paintings defy that mold, producing the same clunky, sentimental quality that Susan Rothenberg and Phillip Guston do so well. It’s a quality that only happens in painting.

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Hurry Up and Register for the 2012 Bushwick Open Studios!

by Corinna Kirsch on April 30, 2012
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Want to meet New York's best curators, writers, and gallerists in your studio? Of course you do! Register for the 2012 Bushwick Open Studios before their May 3rd deadline to make sure you don't miss that opportunity. Each year, the event attracts an increasing number of art world professionals out to discover the latest Bushwick talent. This year's event will be held the evening of Friday, June 1st through the evening of Sunday, June 3rd.

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Thank You to Our July Sponsors!

by Sponsors on July 29, 2011
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We would like to take a break from our daily posting to thank our sponsors for the month of July. These are the people and places that keep us publishing, so be sure to check them out. This month we thank Artwrit, Dia Art Foundation, Fernando Luis Alvarez Gallery, and NADA Hudson.

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