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Survival in New York: An Interview with Artist Judith Braun

by Paddy Johnson on November 10, 2010
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The sixth interview in a series of posts examining what it means to survive in New York. Today I speak with Judith Braun, an artist living and working in New York. Other interviews include, Executive Director of Rhizome and Adjunct Curator at The New Museum Lauren Cornell, artist Marcin Ramocki, curator and Prospect Non-Profit Director Dan Cameron,  Shelly Bancroft and […]

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Survival In New York: An Interview With Lauren Cornell

by Paddy Johnson on November 4, 2010
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The fifth interview in a series of posts examining what it means to survive in New York. I spoke with Executive Director of Rhizome and Adjunct Curator at The New Museum Lauren Cornell over the telephone on this subject. Her show Free, is currently on view at The New Museum. Other interviews in this series include those with artist Marcin Ramocki, curator and Prospect Non-Profit Director Dan Cameron Shelly Bancroft and Peter Nesbett of Triple Candie, a non-profit gallery located in Harlem, and artist William Powhida. A full piece reflecting on these interviews is available in this month's issue of Map Magazine.

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Survival in New York: An Interview with Marcin Ramocki

by Paddy Johnson on November 1, 2010
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The fourth interview in a series of posts examining what it means to survive in New York. Today I speak with artist Marcin Ramocki. Other interviews in this series include curator and Prospect Non-Profit Director Dan Cameron Shelly Bancroft and Peter Nesbett of Triple Candie, a non-profit gallery located in Harlem, and artist William Powhida. A full piece reflecting on these interviews is available in this month's issue of Map Magazine.

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Survival In New York: An Interview with Dan Cameron

by Paddy Johnson on October 25, 2010
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The third interview in a series of posts examining what it means to survive in New York. Today I speak with Curator and Non-Profit Director Dan Cameron. Other interviews in this series include  Shelly Bancroft and Peter Nesbett of Triple Candie, a non-profit gallery located in Harlem, and artist William Powhida.

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Survival in New York: An Interview With William Powhida

by Paddy Johnson on October 18, 2010
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The second interview in a series of posts examining what it means to survive in New York. Today I speak with artist William Powhida. The first interview was posted last week, and was with Shelly Bancroft and Peter Nesbett of Triple Candie, a non-profit gallery located in Harlem.

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Survival In New York: An Interview With Triple Candie

by Paddy Johnson on October 14, 2010
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Survival in New York. A new series of interviews with professionals across the city on what it means to survive. Today I talk with Triple Candie

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Long Live Dusty Whistles’s New Flesh (with no apologies to David Cronenberg)

by RM Vaughan on March 28, 2017
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Berlin-based, NYC-born artist Dusty Whistles practices a purpose-driven drag that blends futuristic post-gender, post-human iterations with front line political messaging. In Berlin, where mainstream drag can be boiled down to two show types, Cabaret/Sally Bowles re-castings and Hausfraus in bad wigs low comedy, Whistles is part of a new drag generation that wants to put the pocket knife back in the queen’s purse. Drag is political, and always has been. Sometimes, however, drag culture needs a bit of a tune up. Whistles is here to help.

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What’s So Bad About An Echo Chamber? Jim Torok’s “The New Age of Uncertainty” At Pierogi

by Emily Colucci on February 1, 2017
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The term echo chamber has been thrown around since Trump’s election. When applied by conservatives, it’s used mostly as an attempt to dismiss the alleged close-minded perspective of “coastal elites,” a critique with few merits, even if sometimes true.

The limitations of this critique are especially visible in Jim Torok’s current solo exhibition The New Age of Uncertainty at Pierogi.The work articulates progressive panic and anxiety due to our current political atmosphere through a series of text-based paintings and portraits. In many ways, the exhibition simply reflects back the liberal perspectives those in the New York art community already see daily on social media. This approach has some obvious weaknesses, namely preventing the show from landing a far-reaching political critique. Instead, the exhibition succeeds more as a portrait of a specific ideology and frantic psychological state.

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This Week’s Must-See Art Events: Old School Survival

by Paddy Johnson and Rea McNamara on June 6, 2016
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Urban survival, whether it’s the cost of living in New York or even riding along Sag Habour in a self-sustaining houseboat, looms largely in this week’s events. Tonight’s lecture at the Morbid Anatomy Museum suggests that this dates back to Weimar Berlin’s era of anarchy and decadence, where fake fakirs — religious ascetics who live solely on alms — got by with their gnarly nails and pins piercing. Flash forward to Saturday’s MoMA opening of Nan Goldin’s famous 1986 visual diary “The Ballad of Sexual Dependency”, and those piercings became the battle scars of surviving the East Village’s punk bohemia. Today, we’re thankfully more practical in eking out our incomes: we look to the sun and its instruments (see this Thursday’s opening of the “Heliotropes” group show at Geary Contemporary) or envision terrible futures in our analogue pasts (“that old school dystopia” at Theodore:Art on Friday). But sustainability, if we quickly cut to the chase, really involves supporting each other, which is why this weekend’s workshops around the nuts and bolts of artist finances or even writing and editing an artist statement will get you ahead. No need for any physical scars.

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The Art F City Survival Guide to the 2016 Armory Week Fairs

by Michael Anthony Farley and Rea McNamara on February 29, 2016
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Do you like art fairs? If yes, you are in luck! If not, get the hell out of New York City this week. Art fairs are multiplying like Gremlins, and mutating as they spawn. We now have specific art fairs for everything: paper, video art, solo projects, Asian art, curator-driven booths, independent artists, dykes, shiny things, boring shows… there’s something for everyone.

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