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Art – Abdi Farah’s Bravo TV Prize Is a Brooklyn Museum Show – NYTimes.com

by Art Fag City on August 19, 2010 · 4 comments

Atlanta Art Scene to Survive Recent Flurry of Gallery Closings Revisiting “10 Myths of Internet Art” The Met Does Punk, Bleached and Ironed

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  • http://robmyers.org/ Rob Myers

    The managerial role of the curator was played in the show from what I’ve seen (artists were included or excluded and treated as a means to an end).

    Just not by curators.

    What *is* a problem in the format isn’t its optimizing out of the transaction cost of curatorial ego. It’s the extension of Cowellization of cultural production and ambition to art. This will only feed careerist hipsterism and further evacuate the content of art.

  • http://robmyers.org/ Rob Myers

    The managerial role of the curator was played in the show from what I’ve seen (artists were included or excluded and treated as a means to an end).

    Just not by curators.

    What *is* a problem in the format isn’t its optimizing out of the transaction cost of curatorial ego. It’s the extension of Cowellization of cultural production and ambition to art. This will only feed careerist hipsterism and further evacuate the content of art.

  • http://robmyers.org/ Rob Myers

    The managerial role of the curator was played in the show from what I’ve seen (artists were included or excluded and treated as a means to an end).

    Just not by curators.

    What *is* a problem in the format isn’t its optimizing out of the transaction cost of curatorial ego. It’s the extension of Cowellization of cultural production and ambition to art. This will only feed careerist hipsterism and further evacuate the content of art.

  • http://robmyers.org/ Rob Myers

    The managerial role of the curator was played in the show from what I’ve seen (artists were included or excluded and treated as a means to an end).

    Just not by curators.

    What *is* a problem in the format isn’t its optimizing out of the transaction cost of curatorial ego. It’s the extension of Cowellization of cultural production and ambition to art. This will only feed careerist hipsterism and further evacuate the content of art.

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