Will Klaus Biesenbach’s Speech Last Tuesday Evening at MoMA Mark His Biggest Career Blunder?

by Art Fag City on June 7, 2010 · 87 comments

POST BY PADDY JOHNSON

Left: MoMA PS1 director Klaus Biesenbach and MoMA president emeritus Agnes Gund. Right: Artist Marina Abramović and dealer Sean Kelly. (All photos: Linda Yablonsky). Image via: ArtForum

Holy crap. ArtForum’s Linda Yablonsky offers up the craziest account of MoMA’s celebrity dinner for performance artist Marina Abramovic’s newly closed show, including a rather astounding blunder on the part of exhibition organizer Klaus Beisenbach;

For entertainment, Abramović had imported a Montenegrin vocalist, Svetlana Spajic, who appeared in traditional dress and sang a haunting Serbian folk song a cappella to more cheers. But the most unsettling part of the evening came when the tippling Biesenbach took the podium. He didn’t thank anyone. Instead he used the moment to make public his two-decade-long unrequited love for Abramović. “Look at me, Marina,” he began. “Listen to me, Marina,” he went on. “Why don’t you look at me? You know,” he then said to the guests, tossing aside his prepared remarks, “she can’t see anyone without her glasses,” thereby negating the experience of all those sitters who thought she was paying special attention to them. This brought loud murmurs. “Will you stop talking and listen to me?” he said. “OK, don’t listen. I don’t care. Marina? Are you listening?” It didn’t stop there.

Recalling how he had fallen in love with Abramović, twenty years his senior, at first sight, he said that he believed she had fallen in love with him too. “Biggest mistake of my career,” he said, though clearly not bigger than this one.

Got that crying sitters? Abramovic can’t even see you.

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  • http://www.jessepatrickmartin.blogspot.com Jesse P. Martin

    “Marina Abramović: The Artist Is Myopic”

  • http://www.jessepatrickmartin.blogspot.com Jesse P. Martin

    “Marina Abramović: The Artist Is Myopic”

  • http://www.digitalmediatree.com/sallymckay/ L.M.

    He’s older than 44.

  • http://www.digitalmediatree.com/sallymckay/ L.M.

    He’s older than 44.

  • http://www.digitalmediatree.com/sallymckay/ L.M.

    I was going to ask you not to approve my last comment because it was probably a bit out of line, but I had a hard time believing he opened Kunst-Werke when he was only 25.

  • http://www.digitalmediatree.com/sallymckay/ L.M.

    I was going to ask you not to approve my last comment because it was probably a bit out of line, but I had a hard time believing he opened Kunst-Werke when he was only 25.

  • http://twitter.com/giovannigf Giovanni

    Klaus you dick!

  • http://twitter.com/giovannigf Giovanni

    Klaus you dick!

  • lemonyellow

    Well, according to nymag, he’s that young: http://nymag.com/arts/art/profiles/62918/

  • lemonyellow

    Well, according to nymag, he’s that young: http://nymag.com/arts/art/profiles/62918/

  • nate hill

    There goes the neighborhood.

  • nate hill

    There goes the neighborhood.

  • http://www.digitalmediatree.com/sallymckay/ L.M.

    OK his age makes sense if he started Kunst-Werke before the Mitte boom. (When I first saw the place in 96 or 98 it was already an institution in the middle of some expensive real estate.)

  • http://www.digitalmediatree.com/sallymckay/ L.M.

    OK his age makes sense if he started Kunst-Werke before the Mitte boom. (When I first saw the place in 96 or 98 it was already an institution in the middle of some expensive real estate.)

  • Whiskas

    Did anybody go to the Marina at Moma? Klaus moderated and he was beyond terrible. He barely let Marina get a word in edgewise. She clearly had things she wanted to say, but he kept talking over her and interrupted her. He was also super self-aggrandizing. He tried to make the Artist Is Present seem like an equal collaboration between Marina and him. He was so grating. I went to see Marina speak, not him. Also, he is a parody waiting to happen: a Jil Sander wearing, German performance art curator? The jokes write themselves.

  • Whiskas

    I meant "Marina talk". Way to proofread, self.

  • Whiskas

    Did anybody go to the Marina at Moma? Klaus moderated and he was beyond terrible. He barely let Marina get a word in edgewise. She clearly had things she wanted to say, but he kept talking over her and interrupted her. He was also super self-aggrandizing. He tried to make the Artist Is Present seem like an equal collaboration between Marina and him. He was so grating. I went to see Marina speak, not him. Also, he is a parody waiting to happen: a Jil Sander wearing, German performance art curator? The jokes write themselves.

  • Whiskas

    I meant "Marina talk". Way to proofread, self.

  • http://www.liscentric.com Ryan Dunn

    My experience says different. She was able to successfully mimic my blink patterns, as I did hers for a number of minutes. We had an undeniably clear communication, even if limited. She may not have been able to see clearly, but enough to pick out facial gestures, surely.

  • http://www.liscentric.com Ryan Dunn

    My experience says different. She was able to successfully mimic my blink patterns, as I did hers for a number of minutes. We had an undeniably clear communication, even if limited. She may not have been able to see clearly, but enough to pick out facial gestures, surely.

  • Pingback: The Artist Is Absent

  • Jill Conner

    Biesenbach may have been performing an Ulay role. She didn’t get there independently and he was provoking her to react, to slap back. Was it equal? Probably not given the context. Is that a first, to upend Abramovic? Definitely.

  • Jill Conner

    Biesenbach may have been performing an Ulay role. She didn’t get there independently and he was provoking her to react, to slap back. Was it equal? Probably not given the context. Is that a first, to upend Abramovic? Definitely.

  • http://thingsandthin.gs Heather R.

    Is it not possible that she also wears contacts? Typically when someone says they “can’t see anything without glasses,” that really means “can’t see anything without some kind of aid to my vision.” I have a hard time believing that she is walking around in a blurred world, not knowing who she’s speaking to.

  • http://thingsandthin.gs Heather R.

    Is it not possible that she also wears contacts? Typically when someone says they “can’t see anything without glasses,” that really means “can’t see anything without some kind of aid to my vision.” I have a hard time believing that she is walking around in a blurred world, not knowing who she’s speaking to.

  • http://www.artfagcity.com Art Fag City

    Yeah, I mean, she’s obviously wearing contacts. It’s mostly just an indication of the level of drunkeness he’d achieved.

  • http://www.artfagcity.com Art Fag City

    Yeah, I mean, she’s obviously wearing contacts. It’s mostly just an indication of the level of drunkeness he’d achieved.

  • greg,org

    Please.

    Marina sits in a chair for three months, then turns up the next day wearing a couture snakeskin outfit and posing with Courtney Love, and suddenly KLAUS is the freak?

    The art world is full of crazy people doing weird things.

    If Klaus and Marina had settled down in their Bavarian gingerbread house twenty years ago to bake apple pies all day, they’d be attending school soccer games and packing the trailer for their two week vacation in Spain.

    And if Linda Yablonsky wants to treat the museum like it’s the Colony Club, or if you want to tut-tut outbursts in “professional” settings, fine. The art world can accommodate your weirdness, too.

  • greg,org

    Please.

    Marina sits in a chair for three months, then turns up the next day wearing a couture snakeskin outfit and posing with Courtney Love, and suddenly KLAUS is the freak?

    The art world is full of crazy people doing weird things.

    If Klaus and Marina had settled down in their Bavarian gingerbread house twenty years ago to bake apple pies all day, they’d be attending school soccer games and packing the trailer for their two week vacation in Spain.

    And if Linda Yablonsky wants to treat the museum like it’s the Colony Club, or if you want to tut-tut outbursts in “professional” settings, fine. The art world can accommodate your weirdness, too.

  • hayward

    “Will Klaus Biesenbach’s Speech Last Tuesday Evening at MoMA Mark His Biggest Career Blunder?”–
    Probably not. He’s proven with shows like Greater Brooklyn that he can do whatever he feels like and regardless of the criticism it will still influence the art world, regardless if the work has become generic and inconsequential.

  • hayward

    “Will Klaus Biesenbach’s Speech Last Tuesday Evening at MoMA Mark His Biggest Career Blunder?”–
    Probably not. He’s proven with shows like Greater Brooklyn that he can do whatever he feels like and regardless of the criticism it will still influence the art world, regardless if the work has become generic and inconsequential.

  • http://jessepatrickmartin.blogspot.com/ Jesse P. Martin

    “She was able to successfully mimic my blink patterns, as I did hers for a number of minutes.”

    How “The Diving Bell and the Butterfly” of you guys, minus the crippling-degenerative-living-hell part. And whether she had contacts on or not doesn’t really matter: she didn’t “see” anyone, at least not in the telepathic-soul-licking way that people imagined that she was “seeing” them. Though the drug-addict-getting-their-fix look on many of the repeat-sitter’s faces attests to the fact that they were having some deep itch scratched…

    I’ve decided to sum up “The Artist is Present” as a dizzying stew of paradox and hypocrisy, with the black-clad, Biesenbach-gushing, star-fucking nightmare power party acting as a fitting cap to such an “inclusive,” über-emo, and “seminal” retrospective. I hope that Bjork puked up her golden-lip-stamped chocolate dessert all over Michael Stipe as Patti Smith dove for cover behind Liv Tyler as Antony made a pass at James Franco who…

  • http://jessepatrickmartin.blogspot.com/ Jesse P. Martin

    “She was able to successfully mimic my blink patterns, as I did hers for a number of minutes.”

    How “The Diving Bell and the Butterfly” of you guys, minus the crippling-degenerative-living-hell part. And whether she had contacts on or not doesn’t really matter: she didn’t “see” anyone, at least not in the telepathic-soul-licking way that people imagined that she was “seeing” them. Though the drug-addict-getting-their-fix look on many of the repeat-sitter’s faces attests to the fact that they were having some deep itch scratched…

    I’ve decided to sum up “The Artist is Present” as a dizzying stew of paradox and hypocrisy, with the black-clad, Biesenbach-gushing, star-fucking nightmare power party acting as a fitting cap to such an “inclusive,” über-emo, and “seminal” retrospective. I hope that Bjork puked up her golden-lip-stamped chocolate dessert all over Michael Stipe as Patti Smith dove for cover behind Liv Tyler as Antony made a pass at James Franco who…

  • http://www.artfagcity.com Art Fag City

    @greg.org Yes, I’ve overstated craziness of the incident. I am not perfect. Happy?

  • http://www.artfagcity.com Art Fag City

    @greg.org Yes, I’ve overstated craziness of the incident. I am not perfect. Happy?

  • http://jessepatrickmartin.blogspot.com/ Jesse P. Martin

    These people are as “crazy” as foxes, and their affected “weirdness” isn’t what’s being criticized here. The whole show has this gauze of hard-won “realness” that is fairly repugnant, and reading about the curator’s drunken, maudlin schoolgirl love-profession/gaffe that somewhat undermines the “realness” is understandably satisfying, however dishy and immature such a reaction might be. I like that some of the air is being let out of this balloon, because the “mystification” brought on by the retrospective was getting fairly cloying.

    That being said, I think Abramovic knocked this one out of the park. She also made a strong case for the kind of pandering showbiz-y “eccentric” posturing that one must engage in to achieve such “greatness” (cough, Lady Gaga, cough).

  • http://jessepatrickmartin.blogspot.com/ Jesse P. Martin

    These people are as “crazy” as foxes, and their affected “weirdness” isn’t what’s being criticized here. The whole show has this gauze of hard-won “realness” that is fairly repugnant, and reading about the curator’s drunken, maudlin schoolgirl love-profession/gaffe that somewhat undermines the “realness” is understandably satisfying, however dishy and immature such a reaction might be. I like that some of the air is being let out of this balloon, because the “mystification” brought on by the retrospective was getting fairly cloying.

    That being said, I think Abramovic knocked this one out of the park. She also made a strong case for the kind of pandering showbiz-y “eccentric” posturing that one must engage in to achieve such “greatness” (cough, Lady Gaga, cough).

  • greg,org

    Touche’ on the posturing, JPM.

    And I’m not trying to wring walkbacks out of you, Paddy; the faux pas faux shock is mostly Yablonsky’s.

    I just think/hope we don’t have to be Ben Davis to recognize when country club mores take over the art world.

  • greg,org

    Touche’ on the posturing, JPM.

    And I’m not trying to wring walkbacks out of you, Paddy; the faux pas faux shock is mostly Yablonsky’s.

    I just think/hope we don’t have to be Ben Davis to recognize when country club mores take over the art world.

  • http://weekendpartyupdate.blogspot.com Sam

    Wait, I thought Klaus’s true love was James Franco.

  • http://weekendpartyupdate.blogspot.com Sam

    Wait, I thought Klaus’s true love was James Franco.

  • http://www.digitalmediatree.com/sallymckay/ L.M.

    May I steal the phrase “telepathic-soul-licking” for an exhibition title?

  • http://www.digitalmediatree.com/sallymckay/ L.M.

    May I steal the phrase “telepathic-soul-licking” for an exhibition title?

  • http://www.artfagcity.com Art Fag City

    No you’re not trying to wring walkbacks out of me, you’re telling me how you think I should be writing this blog. I want this kind of feedback, which is why I’ve tried to set the comments up for people to say, “actually I think the real issue is this”, but I do wish you took the tone I approximated a little more frequently. Instead, I read that I’m just as crazy as a lunatic curator who drunkenly professes his love for Marina, the artist herself, who’s now wearing the most designer-y of designer-y clothing, and the stars now clinging to her because I’ve focused too much on Yablonsky’s account of Klaus. Your argument would have been just strong without kicking me over a bad headline choice.

    Meanwhile, Jesse is right. My interest had more to do with highlighting something that undermines the “hard-won realness” of the show, then it did picking on Klaus. Perhaps we can discuss that.

  • http://www.artfagcity.com Art Fag City

    No you’re not trying to wring walkbacks out of me, you’re telling me how you think I should be writing this blog. I want this kind of feedback, which is why I’ve tried to set the comments up for people to say, “actually I think the real issue is this”, but I do wish you took the tone I approximated a little more frequently. Instead, I read that I’m just as crazy as a lunatic curator who drunkenly professes his love for Marina, the artist herself, who’s now wearing the most designer-y of designer-y clothing, and the stars now clinging to her because I’ve focused too much on Yablonsky’s account of Klaus. Your argument would have been just strong without kicking me over a bad headline choice.

    Meanwhile, Jesse is right. My interest had more to do with highlighting something that undermines the “hard-won realness” of the show, then it did picking on Klaus. Perhaps we can discuss that.

  • http://jessepatrickmartin.blogspot.com/ Jesse P. Martin

    @L.M.: “Marina Abramovic: Telepathic-Soul-Licker” was actually the original title for her retrospective, but they changed it at the last minute because it brought back too many tough memories for Klausy B.

    You can probably use it, but you’ll probably have to deal with Abramovic’s newly-formed long-duration-performance-art intellectual-property-protection team first.

  • http://jessepatrickmartin.blogspot.com/ Jesse P. Martin

    @L.M.: “Marina Abramovic: Telepathic-Soul-Licker” was actually the original title for her retrospective, but they changed it at the last minute because it brought back too many tough memories for Klausy B.

    You can probably use it, but you’ll probably have to deal with Abramovic’s newly-formed long-duration-performance-art intellectual-property-protection team first.

  • aly

    It’s true..Berlin early 90′s…Kunst-Werke. I was there…

  • aly

    It’s true..Berlin early 90′s…Kunst-Werke. I was there…

  • Jill Conner

    Klaus’ comments, and then the various reactions that have spun out, are part of a performance that ended. A friend of mine said that it was like a roast. However the literal interpretation of the event, as Klaus’ gaffe, reveals that viewers are still challenged to interpret performance art when it does not take place on a stage.

    Do note that Abramovic’s show began with her ex-husband, and longtime collaborator Ulay sitting across from her at the table. Tears ran down her face in the cathartic moment. Ulay came back to open up a show that gave him marginal recognition. So it is very fitting that Klaus performed an Abramovic vignette back to her, similar to Ulay, a slap for a slap, creating a good closure to the piece. Abramovic would not be Abramovic without a complimentary response from an other, from someone else.

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