<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" > <channel><title>Comments on: Media Circus Imposes A Landslide of Transcendental Experience: The Last Day at Marina Abramovic&#8217;s The Artist is Present</title> <atom:link href="http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/feed/" rel="self" type="application/rss+xml" /><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/</link> <description>New York art news and reviews.</description> <lastBuildDate>Mon, 13 Feb 2012 04:20:00 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.2.1</generator> <item><title>By: Patrick</title><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/comment-page-1/#comment-267620</link> <dc:creator>Patrick</dc:creator> <pubDate>Tue, 01 Jun 2010 17:03:17 +0000</pubDate> <guid isPermaLink="false">http://www.artfagcity.com/?p=14092#comment-267620</guid> <description>@Paddy, I have a couple qualifiers in my previous comment. They are there because of the &#039;gut&#039; feeling. A notion of one&#039;s mortality (whether conscious of it or not) breeds feelings like empathy in some people. In others it may initiate hostility. Yet, this is all just a hunch, for there may be other associations, even ones as banal as how much value one puts upon such a performance, that cause one to cry, or even get pissed off.After looking at the MOMA Flickr pages, I tried to imagine myself in the seat across from M.A. In that I have difficulty with direct eye contact with strangers, it would be awkward for me. Yet, I do know that if she were crying when I sat down, it wouldn&#039;t take much to get me blubbering.</description> <content:encoded><![CDATA[<p>@Paddy, I have a couple qualifiers in my previous comment. They are there because of the &#8216;gut&#8217; feeling. A notion of one&#8217;s mortality (whether conscious of it or not) breeds feelings like empathy in some people. In others it may initiate hostility. Yet, this is all just a hunch, for there may be other associations, even ones as banal as how much value one puts upon such a performance, that cause one to cry, or even get pissed off.</p><p>After looking at the MOMA Flickr pages, I tried to imagine myself in the seat across from M.A. In that I have difficulty with direct eye contact with strangers, it would be awkward for me. Yet, I do know that if she were crying when I sat down, it wouldn&#8217;t take much to get me blubbering.</p> ]]></content:encoded> </item> <item><title>By: Patrick</title><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/comment-page-1/#comment-323874</link> <dc:creator>Patrick</dc:creator> <pubDate>Tue, 01 Jun 2010 17:03:00 +0000</pubDate> <guid isPermaLink="false">http://www.artfagcity.com/?p=14092#comment-323874</guid> <description>@Paddy, I have a couple qualifiers in my previous comment. They are there because of the &#039;gut&#039; feeling. A notion of one&#039;s mortality (whether conscious of it or not) breeds feelings like empathy in some people. In others it may initiate hostility. Yet, this is all just a hunch, for there may be other associations, even ones as banal as how much value one puts upon such a performance, that cause one to cry, or even get pissed off.After looking at the MOMA Flickr pages, I tried to imagine myself in the seat across from M.A. In that I have difficulty with direct eye contact with strangers, it would be awkward for me. Yet, I do know that if she were crying when I sat down, it wouldn&#039;t take much to get me blubbering.</description> <content:encoded><![CDATA[<p>@Paddy, I have a couple qualifiers in my previous comment. They are there because of the &#8216;gut&#8217; feeling. A notion of one&#8217;s mortality (whether conscious of it or not) breeds feelings like empathy in some people. In others it may initiate hostility. Yet, this is all just a hunch, for there may be other associations, even ones as banal as how much value one puts upon such a performance, that cause one to cry, or even get pissed off.</p><p>After looking at the MOMA Flickr pages, I tried to imagine myself in the seat across from M.A. In that I have difficulty with direct eye contact with strangers, it would be awkward for me. Yet, I do know that if she were crying when I sat down, it wouldn&#8217;t take much to get me blubbering.</p> ]]></content:encoded> </item> <item><title>By: Patrick</title><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/comment-page-1/#comment-323875</link> <dc:creator>Patrick</dc:creator> <pubDate>Tue, 01 Jun 2010 17:03:00 +0000</pubDate> <guid isPermaLink="false">http://www.artfagcity.com/?p=14092#comment-323875</guid> <description>@Paddy, I have a couple qualifiers in my previous comment. They are there because of the &#039;gut&#039; feeling. A notion of one&#039;s mortality (whether conscious of it or not) breeds feelings like empathy in some people. In others it may initiate hostility. Yet, this is all just a hunch, for there may be other associations, even ones as banal as how much value one puts upon such a performance, that cause one to cry, or even get pissed off.After looking at the MOMA Flickr pages, I tried to imagine myself in the seat across from M.A. In that I have difficulty with direct eye contact with strangers, it would be awkward for me. Yet, I do know that if she were crying when I sat down, it wouldn&#039;t take much to get me blubbering.</description> <content:encoded><![CDATA[<p>@Paddy, I have a couple qualifiers in my previous comment. They are there because of the &#8216;gut&#8217; feeling. A notion of one&#8217;s mortality (whether conscious of it or not) breeds feelings like empathy in some people. In others it may initiate hostility. Yet, this is all just a hunch, for there may be other associations, even ones as banal as how much value one puts upon such a performance, that cause one to cry, or even get pissed off.</p><p>After looking at the MOMA Flickr pages, I tried to imagine myself in the seat across from M.A. In that I have difficulty with direct eye contact with strangers, it would be awkward for me. Yet, I do know that if she were crying when I sat down, it wouldn&#8217;t take much to get me blubbering.</p> ]]></content:encoded> </item> <item><title>By: Marina Galperina</title><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/comment-page-1/#comment-267615</link> <dc:creator>Marina Galperina</dc:creator> <pubDate>Tue, 01 Jun 2010 16:39:08 +0000</pubDate> <guid isPermaLink="false">http://www.artfagcity.com/?p=14092#comment-267615</guid> <description>I love the guard&#039;s blurry shaking hands to shoo the photographer away in this photo. They really had a tough time last night. There were shouting matches for people trying to get into the 6th floor exhibit at 3:58pm.A few of us were stuffed at the third story window, refusing to move (sorry!). The security guard called in this puffy fellow in a maroon button-down shirt, who commented sarcastically, &quot;I know this is really serious, but move along.&quot; How&#039;s that for staff professionalism?</description> <content:encoded><![CDATA[<p>I love the guard&#8217;s blurry shaking hands to shoo the photographer away in this photo. They really had a tough time last night. There were shouting matches for people trying to get into the 6th floor exhibit at 3:58pm.</p><p>A few of us were stuffed at the third story window, refusing to move (sorry!). The security guard called in this puffy fellow in a maroon button-down shirt, who commented sarcastically, &#8220;I know this is really serious, but move along.&#8221; How&#8217;s that for staff professionalism?</p> ]]></content:encoded> </item> <item><title>By: Marina Galperina</title><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/comment-page-1/#comment-323870</link> <dc:creator>Marina Galperina</dc:creator> <pubDate>Tue, 01 Jun 2010 16:39:00 +0000</pubDate> <guid isPermaLink="false">http://www.artfagcity.com/?p=14092#comment-323870</guid> <description>I love the guard&#039;s blurry shaking hands to shoo the photographer away in this photo. They really had a tough time last night. There were shouting matches for people trying to get into the 6th floor exhibit at 3:58pm.A few of us were stuffed at the third story window, refusing to move (sorry!). The security guard called in this puffy fellow in a maroon button-down shirt, who commented sarcastically, &quot;I know this is really serious, but move along.&quot; How&#039;s that for staff professionalism?</description> <content:encoded><![CDATA[<p>I love the guard&#8217;s blurry shaking hands to shoo the photographer away in this photo. They really had a tough time last night. There were shouting matches for people trying to get into the 6th floor exhibit at 3:58pm.</p><p>A few of us were stuffed at the third story window, refusing to move (sorry!). The security guard called in this puffy fellow in a maroon button-down shirt, who commented sarcastically, &#8220;I know this is really serious, but move along.&#8221; How&#8217;s that for staff professionalism?</p> ]]></content:encoded> </item> <item><title>By: Marina Galperina</title><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/comment-page-1/#comment-323871</link> <dc:creator>Marina Galperina</dc:creator> <pubDate>Tue, 01 Jun 2010 16:39:00 +0000</pubDate> <guid isPermaLink="false">http://www.artfagcity.com/?p=14092#comment-323871</guid> <description>I love the guard&#039;s blurry shaking hands to shoo the photographer away in this photo. They really had a tough time last night. There were shouting matches for people trying to get into the 6th floor exhibit at 3:58pm.A few of us were stuffed at the third story window, refusing to move (sorry!). The security guard called in this puffy fellow in a maroon button-down shirt, who commented sarcastically, &quot;I know this is really serious, but move along.&quot; How&#039;s that for staff professionalism?</description> <content:encoded><![CDATA[<p>I love the guard&#8217;s blurry shaking hands to shoo the photographer away in this photo. They really had a tough time last night. There were shouting matches for people trying to get into the 6th floor exhibit at 3:58pm.</p><p>A few of us were stuffed at the third story window, refusing to move (sorry!). The security guard called in this puffy fellow in a maroon button-down shirt, who commented sarcastically, &#8220;I know this is really serious, but move along.&#8221; How&#8217;s that for staff professionalism?</p> ]]></content:encoded> </item> <item><title>By: Marina Galperina</title><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/comment-page-1/#comment-323872</link> <dc:creator>Marina Galperina</dc:creator> <pubDate>Tue, 01 Jun 2010 16:39:00 +0000</pubDate> <guid isPermaLink="false">http://www.artfagcity.com/?p=14092#comment-323872</guid> <description>I love the guard&#039;s blurry shaking hands to shoo the photographer away in this photo. They really had a tough time last night. There were shouting matches for people trying to get into the 6th floor exhibit at 3:58pm.A few of us were stuffed at the third story window, refusing to move (sorry!). The security guard called in this puffy fellow in a maroon button-down shirt, who commented sarcastically, &quot;I know this is really serious, but move along.&quot; How&#039;s that for staff professionalism?</description> <content:encoded><![CDATA[<p>I love the guard&#8217;s blurry shaking hands to shoo the photographer away in this photo. They really had a tough time last night. There were shouting matches for people trying to get into the 6th floor exhibit at 3:58pm.</p><p>A few of us were stuffed at the third story window, refusing to move (sorry!). The security guard called in this puffy fellow in a maroon button-down shirt, who commented sarcastically, &#8220;I know this is really serious, but move along.&#8221; How&#8217;s that for staff professionalism?</p> ]]></content:encoded> </item> <item><title>By: Marina Galperina</title><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/comment-page-1/#comment-323873</link> <dc:creator>Marina Galperina</dc:creator> <pubDate>Tue, 01 Jun 2010 16:39:00 +0000</pubDate> <guid isPermaLink="false">http://www.artfagcity.com/?p=14092#comment-323873</guid> <description>I love the guard&#039;s blurry shaking hands to shoo the photographer away in this photo. They really had a tough time last night. There were shouting matches for people trying to get into the 6th floor exhibit at 3:58pm.A few of us were stuffed at the third story window, refusing to move (sorry!). The security guard called in this puffy fellow in a maroon button-down shirt, who commented sarcastically, &quot;I know this is really serious, but move along.&quot; How&#039;s that for staff professionalism?</description> <content:encoded><![CDATA[<p>I love the guard&#8217;s blurry shaking hands to shoo the photographer away in this photo. They really had a tough time last night. There were shouting matches for people trying to get into the 6th floor exhibit at 3:58pm.</p><p>A few of us were stuffed at the third story window, refusing to move (sorry!). The security guard called in this puffy fellow in a maroon button-down shirt, who commented sarcastically, &#8220;I know this is really serious, but move along.&#8221; How&#8217;s that for staff professionalism?</p> ]]></content:encoded> </item> <item><title>By: Joe</title><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/comment-page-1/#comment-267600</link> <dc:creator>Joe</dc:creator> <pubDate>Tue, 01 Jun 2010 14:52:28 +0000</pubDate> <guid isPermaLink="false">http://www.artfagcity.com/?p=14092#comment-267600</guid> <description>&gt;&gt;when you say “I think it’s impossible to judge unless you sat in that chair.” You are arguing essentially that performance can only be judged from first-person experienceI&#039;m not saying it&#039;s impossible to appreciate or understand or judge the performance without sitting. I have strong opinions about each of the pieces on the sixth floor. I&#039;m saying it&#039;s impossible to judge each sitter&#039;s outward emotional reaction. Sitting completely altered my appreciation of other sitters&#039; reactions. I had watched the performance several times, at length, but I was completely unprepared for the intensity of the experience of sitting.</description> <content:encoded><![CDATA[<p>&gt;&gt;when you say “I think it’s impossible to judge unless you sat in that chair.” You are arguing essentially that performance can only be judged from first-person experience</p><p>I&#8217;m not saying it&#8217;s impossible to appreciate or understand or judge the performance without sitting. I have strong opinions about each of the pieces on the sixth floor. I&#8217;m saying it&#8217;s impossible to judge each sitter&#8217;s outward emotional reaction. Sitting completely altered my appreciation of other sitters&#8217; reactions. I had watched the performance several times, at length, but I was completely unprepared for the intensity of the experience of sitting.</p> ]]></content:encoded> </item> <item><title>By: Joe</title><link>http://www.artfagcity.com/2010/05/31/media-circus-imposes-a-landslide-of-transcendental-experience-marina-abramovics/comment-page-1/#comment-323867</link> <dc:creator>Joe</dc:creator> <pubDate>Tue, 01 Jun 2010 14:52:00 +0000</pubDate> <guid isPermaLink="false">http://www.artfagcity.com/?p=14092#comment-323867</guid> <description>&gt;&gt;when you say “I think it’s impossible to judge unless you sat in that chair.” You are arguing essentially that performance can only be judged from first-person experienceI&#039;m not saying it&#039;s impossible to appreciate or understand or judge the performance without sitting. I have strong opinions about each of the pieces on the sixth floor. I&#039;m saying it&#039;s impossible to judge each sitter&#039;s outward emotional reaction. Sitting completely altered my appreciation of other sitters&#039; reactions. I had watched the performance several times, at length, but I was completely unprepared for the intensity of the experience of sitting.</description> <content:encoded><![CDATA[<p>&gt;&gt;when you say “I think it’s impossible to judge unless you sat in that chair.” You are arguing essentially that performance can only be judged from first-person experience</p><p>I&#8217;m not saying it&#8217;s impossible to appreciate or understand or judge the performance without sitting. I have strong opinions about each of the pieces on the sixth floor. I&#8217;m saying it&#8217;s impossible to judge each sitter&#8217;s outward emotional reaction. Sitting completely altered my appreciation of other sitters&#8217; reactions. I had watched the performance several times, at length, but I was completely unprepared for the intensity of the experience of sitting.</p> ]]></content:encoded> </item> </channel> </rss>
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