Mike Weiss Gallery Responds to Meghann Snow’s Account of Her Firing

by Art Fag City on November 25, 2009 · 209 comments

POST BY PADDY JOHNSON
art fag city, mike weiss
Sara Harari, assistant director, and Mike Weiss. Image via: Art and Living

Mike Weiss Gallery responds to former employee Meghann Snow! Weiss discusses a mix of concerns with regard to Snow’s dismissal ranging from competency and demeanor, to far less salient complaints such as failure to disclose her career as an artist.

I’ve posted Mike Weiss Gallery’s response below so readers will have a better sense of the company’s position, but reiterate my sentiment that it is far from satisfactory. Although she does not say so explicitly, Snow leaves the suggestion that being required to tolerate personal inspection may constitute quid pro quo harassment.

The question is, why didn’t gallery owner Mike Weiss address Meghann Snow’s account of her physical “inspection” prior to her firing? According to Snow, Weiss took her into a back room and told her “I own this gallery and I have the right to inspect you.” No, he doesn’t, and the gallery’s response in yesterday’s comment section of the blog does not address this issue at all.

Given the amount of attention this issue has received, Mike Weiss Gallery would like to respectfully respond to the blog post written by Meghann Snow. This all comes as a surprise to us being that we received an email from Ms. Snow in which she thanked us for our time and stated that she respected our decision.

When Ms. Snow interviewed for the position as Registrar she dressed the part as would be required of a high profile gallery and was enthusiastic about taking initiative for the position; she did after all get the job over a number of highly qualified and equally enthusiastic applicants. Upon arriving at the gallery for her first two days of training, Ms. Snow did not bring the same excitement for the position she had expressed in her interview and in fact revealed herself to be an inexperienced registrar, unable to even properly complete a shipping order or email on her own. It may be true that Ms. Snow is an accomplished ballet dancer and recipient of Deans List awards but that has hardly enriched her skills as a professional registrar.

Understandably, being appropriately dressed is of course a consideration of a ground floor gallery in Chelsea where the employees are in view of the visitors and clients. However, Ms. Snow has failed to mention in her blog post that it was her timidity taking on the responsibilities of the position that requires an enormous amount of energy, self motivation and initiative, which ultimately led to her being asked not to come back.

Ms. Snow is an artist, a fact decidedly omitted in her interview, and if this blog post has increased the traffic to her own website I suppose she finds justification in her efforts to tarnish the reputation of a respected gallery.

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  • Trevor

    People were talking about Weiss vs. Snow at Scope but If they didn’t know I told them. I watched him verbally abuse the director (Molly)of Scope for getting his crates wet. I saw what sort of person he was after that He is a angry little man. I did hear he was part of a Israeli mafia money laundering scam.

  • Trevor

    People were talking about Weiss vs. Snow at Scope but If they didn’t know I told them. I watched him verbally abuse the director (Molly)of Scope for getting his crates wet. I saw what sort of person he was after that He is a angry little man. I did hear he was part of a Israeli mafia money laundering scam.

  • sami

    Mike Weiss isn’t the only insecure schmuck dealer in town. Most are… including the big branded ones! I think it’s a requirement in order to get into that racket. His behavior, however, is totally sophomoric and pedestrian, not to mention his taste. His client list probably consists of the same few people that he has to beg, monthly, to buy the third-tier work he represents, in order to satisfy his Israeli angels. He treats most of his artists like crap (Napoleon complex), and former directors are pretentious bimbos in tight skirts (not conscientious art professionals) that couldn’t hold a reasonable conversation if their lives depended on it. Upon visiting a few times, with collector/acquaintances, we recalled a couple of staffers in the back always looking embarrassed for the primitive behavior of the front desk. Not a good way to run a business. Should be a vanity gallery for has-beens.

  • sami

    Mike Weiss isn’t the only insecure schmuck dealer in town. Most are… including the big branded ones! I think it’s a requirement in order to get into that racket. His behavior, however, is totally sophomoric and pedestrian, not to mention his taste. His client list probably consists of the same few people that he has to beg, monthly, to buy the third-tier work he represents, in order to satisfy his Israeli angels. He treats most of his artists like crap (Napoleon complex), and former directors are pretentious bimbos in tight skirts (not conscientious art professionals) that couldn’t hold a reasonable conversation if their lives depended on it. Upon visiting a few times, with collector/acquaintances, we recalled a couple of staffers in the back always looking embarrassed for the primitive behavior of the front desk. Not a good way to run a business. Should be a vanity gallery for has-beens.

  • nicky

    I am coming to this rather late in the game — but nevertheless — as a former Mike Weiss Gallery (barely paid) intern, I wasn’t the least bit shocked to hear this unfortunate tale. What’s surprising is that it’s taken this long for one of Mike’s “minions” to publicly call him out on his chauvinistic b.s.

    Meghann, my hat goes off to you. Not only did you manage to get the best of this creep, but you left with your integrity intact. Believe me when I say this: having no job at all is a far, far better fate than spending just one minute employed at this second rate schlock house.

    I’m sorry you had to endure his beady eyed stare – a chilling discomfort I felt many times while subjected to similar sadistic inspections over the course of my months-long service – but you are, in fact, LUCKY that he fired you, and lucky that you will never have to see his sniveling, scowling, ghoulish and fiendish, fat furry face ever again. Mazel tov!

  • nicky

    I am coming to this rather late in the game — but nevertheless — as a former Mike Weiss Gallery (barely paid) intern, I wasn’t the least bit shocked to hear this unfortunate tale. What’s surprising is that it’s taken this long for one of Mike’s “minions” to publicly call him out on his chauvinistic b.s.

    Meghann, my hat goes off to you. Not only did you manage to get the best of this creep, but you left with your integrity intact. Believe me when I say this: having no job at all is a far, far better fate than spending just one minute employed at this second rate schlock house.

    I’m sorry you had to endure his beady eyed stare – a chilling discomfort I felt many times while subjected to similar sadistic inspections over the course of my months-long service – but you are, in fact, LUCKY that he fired you, and lucky that you will never have to see his sniveling, scowling, ghoulish and fiendish, fat furry face ever again. Mazel tov!

  • Mitchell

    This gallery sounds like a joke. It’s the artists who show there that we should feel the most sorry for. Imagine being represented by someone with such a dirty reputation and poor people skills. Obviously any collector who goes to this gallery isn’t looking for serious art. Good for you Meghann!

  • Mitchell

    This gallery sounds like a joke. It’s the artists who show there that we should feel the most sorry for. Imagine being represented by someone with such a dirty reputation and poor people skills. Obviously any collector who goes to this gallery isn’t looking for serious art. Good for you Meghann!

  • ipwatchlist

    Regarding allegations of money laundering at Mike Weiss Gallery, I recommend looking into their relationship with Eileen Kaminsky. It seems on a few instances I’m familiar with, that when Mike invests money in an artist he’s talking with but fails to sell their work through the course of the exhibition Eileen Kaminsky steps in for damage control.

    Quite a few galleries seem to have regular collectors of this sort, that make seemingly obligatory purchases from show to show as a way of protecting their investments in the gallery. It definitely casts a shadow of doubt on whether collectors are actually buying work for the love of art. Collector’s often like to act like they are altruistic philanthropist humanitarians when in truth they are just nurturing selfish political ambitions.

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