http://www.artfagcity.com/2008/10/31/halloween-special-new-orleans-prospect-1/ New York art news and reviews. Mon, 13 Feb 2012 04:20:00 +0000 hourly 1 http://wordpress.org/?v=3.2.1 http://www.artfagcity.com/2008/10/31/halloween-special-new-orleans-prospect-1/comment-page-1/#comment-112455 Lintwall Sat, 01 Nov 2008 01:17:45 +0000 http://www.artfagcity.com/2008/10/31/halloween-special-new-orleans-prospect-1/#comment-112455 I wonder if Dan Cameron recognizes the relationship between the "thrill of the deal" and the money the big-name artists he selected make a living off of in art fairs. I wonder if also he recognizes the appeal of the artists' product's viability as a result of participating in such a large, hyped-up event such as this biennial. Please, spare me the pretend absolution from the system that he actually participates in. Dan, you can't be this naive. Curators of such big biennials are essentially stock brokers. I wonder if Dan Cameron recognizes the relationship between the “thrill of the deal” and the money the big-name artists he selected make a living off of in art fairs. I wonder if also he recognizes the appeal of the artists’ product’s viability as a result of participating in such a large, hyped-up event such as this biennial. Please, spare me the pretend absolution from the system that he actually participates in. Dan, you can’t be this naive. Curators of such big biennials are essentially stock brokers.

]]> http://www.artfagcity.com/2008/10/31/halloween-special-new-orleans-prospect-1/comment-page-1/#comment-314635 Lintwall Sat, 01 Nov 2008 01:17:00 +0000 http://www.artfagcity.com/2008/10/31/halloween-special-new-orleans-prospect-1/#comment-314635 I wonder if Dan Cameron recognizes the relationship between the "thrill of the deal" and the money the big-name artists he selected make a living off of in art fairs. I wonder if also he recognizes the appeal of the artists' product's viability as a result of participating in such a large, hyped-up event such as this biennial. Please, spare me the pretend absolution from the system that he actually participates in. Dan, you can't be this naive. Curators of such big biennials are essentially stock brokers. I wonder if Dan Cameron recognizes the relationship between the “thrill of the deal” and the money the big-name artists he selected make a living off of in art fairs. I wonder if also he recognizes the appeal of the artists’ product’s viability as a result of participating in such a large, hyped-up event such as this biennial. Please, spare me the pretend absolution from the system that he actually participates in. Dan, you can’t be this naive. Curators of such big biennials are essentially stock brokers.

]]> http://www.artfagcity.com/2008/10/31/halloween-special-new-orleans-prospect-1/comment-page-1/#comment-314636 Lintwall Sat, 01 Nov 2008 01:17:00 +0000 http://www.artfagcity.com/2008/10/31/halloween-special-new-orleans-prospect-1/#comment-314636 I wonder if Dan Cameron recognizes the relationship between the "thrill of the deal" and the money the big-name artists he selected make a living off of in art fairs. I wonder if also he recognizes the appeal of the artists' product's viability as a result of participating in such a large, hyped-up event such as this biennial. Please, spare me the pretend absolution from the system that he actually participates in. Dan, you can't be this naive. Curators of such big biennials are essentially stock brokers. I wonder if Dan Cameron recognizes the relationship between the “thrill of the deal” and the money the big-name artists he selected make a living off of in art fairs. I wonder if also he recognizes the appeal of the artists’ product’s viability as a result of participating in such a large, hyped-up event such as this biennial. Please, spare me the pretend absolution from the system that he actually participates in. Dan, you can’t be this naive. Curators of such big biennials are essentially stock brokers.

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